SCALA AMORIS, The True Passion of Christ, is a symphony on - choice.

Not the choice to suffer. The choice to love, human. To live, human.

Recorded on Christmas Eve, this 55-minute set re-enters the Passion narrative at the point where history made it static, and restores movement to it. What unfolds is not a meditation on sacrifice, but a re-sequencing of the Christ story toward its suppressed center: divine human love & life, as destiny rather than deviation.

This is not blasphemy. It is fidelity to the interior drama of the human heart and longing. An ode to the Natural.

PASSIO

The opening movement is heavy. Suffering palpable. The Christ here is not an icon but a mind under strain, fully human, alert, and inwardly divided.

The movement opens with Rrose + Polygonia , Vena Cava, establishing interior pressure that does not yet seek release. Into this suspended state enter the visceral agony of Peter Gabriel’s Passion:

• The Promise of Shadows

• Of These, Hope – Reprise

• In Doubt

These works do not resolve suffering; they inhabit it. PASSIO is not about pain itself, but about what pain demands: a decision.

… the last ‘temptation’ of Christ…

Between PASSIO and EROS, a female voice enters.

It is not commentary. It is not temptation. It is the reminder.

The sound does not interrupt suffering, it reorients it. Something recognisable moves through the space. The struggle pauses just long enough for listening to occur. He hears.

And hearing becomes choice.

This is the moment the tradition could not contain: the decision for love over martyrdom, for relation over abstraction, for life over symbolic cultivated principles.

The voice does not persuade. It calls to nature, to life.

EROS

EROS is not indulgence. It is a pure in-loveness with life itself. Natural.

This movement builds deliberately. It begins sweet, fun, receptive, before love’s intensity and speed are introduced. Pressure gathers. Desire here is treated as intelligence, not impulse.

The feel is carried by Polygonia and Rrose, masters of hypnotic techno

• Polygonia , Log 021

• Rrose + Polygonia , Turning Blue

• Polygonia , Celestial Night Rites

Here, repetition deepens rather than distracts. Wanting becomes stable and accelerates. True lovers always want - more!

With Kouslin + Cloaka , Ash and Polygonia , Dreaming of Mechanisation, propulsion appears. Motion gains direction.

The movement culminates in Rrose + Polygonia , Pleasure Vessels, but as natural consummation. Erotic union: orgasm as amplification, not discharge.

EROS corrects the error of repression.
Love is not the obstacle to the divine, it is its engine.

VITA

The final movement does not ascend, it arrives - aqueous, sweet.

VITA is not redemption through death, but continuance through presence. Sound softens without losing gravity. Human textures return, voice, fragility, proximity.

The transition opens through
Saphileaum , Cosmic Lake Transparency × LF58 , Evocazione, allowing intensity to settle into the sublime aqueous.

This settling continues through intimate pairings of these artists:

• Carla Bruni , Déranger les Pierres × Nueen , Departure, Mett (Rensen Edit)

  Je veux mes yeux dans vos yeux
  Je veux ma voix dans votre oreille…

The set ends not with silence, not with transcendence, but with the sound of life in utero. The natural ressurrection. The tender sound of woman’s whispering voice, singing a lullaby. Sound of life forming.

• Ø + Noto , Untitled

• Hari , ささやき 雑談 鼻歌

• Jimち , In Utero

The Passion completes itself here: life choosing itself.

SCALA AMORIS

The Ladder of Love is not climbed by denial. It is climbed by our original human love for each other.

This is The True Passion of Christ, not the version that survived doctrine, but the one that chose the human beloved and life itself.